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In partnership with Kindred Spirits Orchestra
Kindred Spirits Orchestra presents classical music lovers a novel mix of components. Music Director and Principal Conductor Kristian Alexander has curated a 2023-24 season crammed with uncommon gems, persevering with in his custom of presenting not often heard works by well-known composers alongside new and lesser-known items.
The person behind the music is Maestro Kristian Alexander, who based Kindred Spirits Orchestra in 2009. We caught up with him this summer season to ask a couple of questions on what makes Kindred Spirits distinctive, together with some particulars in regards to the upcoming season.
Q: What makes Kindred Spirits Orchestra completely different within the Toronto classical music panorama?
KA: The KSO presents intriguing and infrequently carried out works by well-known composers. In recent times, we carried out symphonies Nos. 2, 3, and 4 by Prokofiev; Nos. 4, 6, 10, 11, 12, 14 and 15 by Shostakovich; symphonies by Wagner, Scriabin, Grieg, Stravinsky, and Richard Strauss.
Lots of the instrumental concerti now we have offered within the final 5–6 years are additionally seldom carried out on this aspect of the Atlantic: Lalo’s cello concerto, Prokofiev’s and Rachmaninoff’s Fourth piano concerti, Tchaikovsky’s Second piano concerto, together with works by Hindemith, Górecki, Schnittke and different sensible composers of the twentieth century.
The KSO is the primary symphony orchestra in Canada to undertake an environmentally aware enterprise mannequin, migrate to paperless operations and supply all musicians with iPad Professional tablets.
Q: The 2023-24 season is formidable, with 9 live shows, and a number of other main and difficult works. How do you’re feeling in regards to the launch of the season?
KA: I’m very excited in regards to the upcoming live performance season. The programming is flexible and consists of masterworks from the nineteenth and the twentieth centuries, together with much less often carried out jewels of the orchestral repertoire. Twenty-one items can be offered by the KSO for a really first time in a kaleidoscope of music written by German, French, Spanish, Canadian, Polish, Hungarian, Russian, and Chinese language composers.
Q: There’s such an fascinating mixture of composers and items. How do you select what to place collectively in a season’s programming? Do among the items have a private connection?
KA: The KSO has an Creative coverage that guides the programming of each live performance season. The coverage has about 15 completely different standards, and comes all the way down to programming items which can be enriching and stimulating for the musicians, instructional for the core viewers, enticing for brand spanking new audiences, versatile in style and magnificence.
The live performance season can be consultant of the local people, promotes rising artists, artists of color, Canadian composers, girls composers, soloists, and conductors, together with worldwide cultural trade.
Q: What can the viewers count on from a Kindred Spirits efficiency? What do you suppose will make them memorable this upcoming season?
KA: Throughout rehearsals, we take an excessive amount of time to speak in regards to the cultural, social, financial, and political elements surrounding the creation of the compositions we can be presenting. We purpose to recreate the sound that carefully displays the character of the composer and his historic time.
For our viewers, it could really feel like travelling again in time and experiencing the feelings which can be introduced by every bit of music. Prior to every live performance, we provide a brief recital of chamber music associated to the efficiency, a pre-concert chat in regards to the composers, intermission dialogue with Q&A from the guest-soloist or conductor, post-concert reception and meet & greet the musicians.
Every live performance can be hosted by Daniel Vnukowski from Classical 96.3 FM. We take excellent care of our viewers and hope that our live shows would convey sparkle of their eyes.
Q: Are there any surprises you’ll be able to trace at, particular collaborations, or different components audiences can stay up for?
KA: Highlights of the season embody Tchaikovsky‘s Symphony No. 5, Shostakovich‘s Symphony No. 8, Rimsky-Korsakov‘s Scheherazade, Bizet‘s Symphony in C, Bruckner‘s Symphony No. 3, and Honegger‘s Symphony No. 3 “Liturgique”.
I’ve additionally included 5 rarities by Stravinsky: Circus Polka (for a younger elephant), Scherzo fantastique, Concerto for piano and wind devices, Scènes de ballet, and Symphonies of wind devices.
Then, we’re very excited a few new live performance sequence, Three on the Meridian, that we are going to be presenting within the spring of 2024 at George Weston Recital Corridor. The sequence will characteristic 3 acclaimed pianists: Ludmil Angelov in Chopin’s Second piano concerto, Li Wang within the “Yellow River” piano concerto, and Daniel Vnukowski in works by French composers César Franck and Vincent d’Indy.
On the event of the one hundred and tenth birthday of one of many main Polish composers of the twentieth century — Witold Lutosławsky — internationally famend pianist Christina Petrowska Quilico will current Lutosławsky’s Concerto for piano and orchestra. We can even characteristic Toronto Symphony Orchestra’s concertmaster Jonathan Crow in Bartók’s avant-garde Violin Concerto No. 2.
Q: What different particulars are you able to share in regards to the upcoming season?
KA: The KSO has a couple of fascinating group outreach and academic applications. Considered one of them collaborates with rising artists to convey their interpretation to communities outdoors the Metropolis of Toronto. Amongst them is the winner of the Grand Prize of the 2022 Worldwide Music Pageant and Competitors, Sumi Kim. In February 2024, she’s going to make her début at Flato Markham Theatre with Saint-Saëns’ Piano Concerto No. 2.
Then, the winner of the Montreal Symphony Orchestra Manulife Competitors — Henry From — will current Hindemith’s enticing Konzertmusik for piano, brass, and two harps, in April 2024.
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For extra particulars on Kindred Spirits Orchestra season, or to order tickets, see [HERE].
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Anya Wassenberg is a Senior Author and Digital Content material Editor at Ludwig Van. She is an skilled freelance author, blogger and writing teacher with OntarioLearn.
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