The album was recorded in a single take with a saxophone, glockenspiel, two microphones, and transportable recorder. As a doc of a reside efficiency, it combines the stress of an improv set with the petty thrill of trespassing. “stand nonetheless like a hummingbird” opens with a number of seconds of silence earlier than quick saxophone blasts reveal the storage’s cavernous resonance. Working water, maybe from a custodian or shopkeeper washing up late at evening, will be heard within the background. As Shiroishi’s improv progresses, he develops a language of piercingly excessive notes, fluttering runs, and breathy puffs of air, all of which cascade by the concrete passages of the storage and return barely delayed and diminished.

The centerpiece of I used to be too younger to listen to silence, the seven-minute “tule lake blues,” is a memorial for his grandparents that transitions from soulful melodies into keening metallic screeches, as if Shiroishi is lastly voicing his grandmother’s wordless despair on the point out of the eponymous camp. Two songs after that cathartic second, a few of his loveliest taking part in seems on on “is it attainable to ship guarantees backwards?,” a joyfully acrobatic show that appears to glory in motion itself. Lastly, “if solely heaven would give me one other ten years” closes the album with celebratory strains that arc brightly by the air earlier than resting once more within the silence of the Los Angeles evening.

Shiroishi’s productiveness is due partially to his versatility. By way of a mess of visitor appearances, he has discovered an area for his saxophone in the Armed’s muscular hardcore, Agriculture’s ecstatic black steel, and Quicksails’ fractured electronica, amongst scores of others. However I used to be too younger to listen to silence showcases Shiroishi’s music at its purest. The uncooked, impromptu output of a participant uniquely attuned to his instrument and goal, it quantities to an exorcism of the generational trauma that knowledgeable this looking evening underground.

Patrick Shiroishi: I used to be too younger to listen to silence