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Glisten and the Merry Mission is a newly launched animated Christmas film with a traditional sense of story. There’s a toy scarcity in Santa’s Workshop, sending younger elf Marzipan on an journey to search out and produce again Glisten, the magic snow deer.
The film was directed by Cory Morrison, and written by Temple Mathews and Sharon Value John. The voice solid is excessive profile, and comes from each the performing and music worlds. That features Julia Michaels, Chevy Chase, Freddie Prinze Jr., Billy Ray Cyrus, Trinity Bliss, and Michael Rapaport.
Glisten… is at the moment enjoying in Cinemark Theatres throughout the US, and can be accessible on Apple TV on December 1.
The entire music for the film was written by Toronto composers Antonio Naranjo and Meiro Stamm.
The Composers
Meiro Stamm is a composer, recognized for Xavier Riddle and the Secret Museum (2019) and A Christmas Dance Reunion (2021), amongst others.
Antonio is a Canadian Display screen Award winner and Banff Centre for the Arts alumnus. He’s a former resident on the prestigious Slaight Household Music Lab on the CFC. His background in movies contains a variety of film, TV and business tasks, together with three seasons of the Canadian Display screen Award profitable child’s present Detention Journey (HBO Max, CBC), and the animated kids’s sequence Glowbies (CBC), amongst others. He toured the world together with his pop rock bands Boys Who Say No Extra and Future friends.
We spoke to them to speak in regards to the mission, and writing music for cartoons.
Getting Into The Motion pictures
Meiro had recognized producer Rick Morrison of Massive Leap Leisure for a while. Primarily based in Ottawa, they hit it off, however by no means had a possibility to work collectively earlier than Glisten… He was already working with Antonio on the CBC cartoon Mittens & Pants, and each had different tasks within the works. Nonetheless, there was room for yet one more simply on the level when Rick known as with the provide.
A various background, together with Western classical music, is an efficient base for a movie composer.
Antonio grew up in family with two very completely different backgrounds. His Spanish father was very classical music oriented, and cherished opera particularly. “It (was) downloaded to my palate,” Antonio laughs. His mom launched him to North American pop. He went on to review on the RCM.
“And I made a decision I needed to be a rock star.” He finds each approaches to music got here collectively when he made the transfer to visible media and movie, which requires a broad talent set.
“I discovered my house,” he says. “It’s puzzle work. It forces you to be curious.” He enjoys delving into completely different genres, and studying about them to turn out to be a greater storyteller.
Meiro’s background is European, with mother and father who had been Hungarian and Swiss. “My mom was very concerned within the classical music scene in Austria,” he says. That included having a variety of listening materials accessible within the household dwelling.
His actual musical epiphany, nonetheless, would come through rock ‘n’ roll. “Once I was about 12 on a Sunday afternoon,” he remembers, “I noticed the movie Monterrey Pop.” When Jimi Hendrix got here on, the spell was solid. Meiro spent a number of years enjoying each rock and classical guitar. That’s not the place his experimentation ended – he additionally performed with a now defunct gamelan orchestra in Toronto.
Nonetheless, the lifetime of a band musician doesn’t attraction to everybody. “It simply wasn’t actually me,” he stated. His music had introduced him into contact with individuals who made a residing as composers, and it was prompt to him. The thought took root in his creativeness, and in 1999, he received his first pitch for a fee.
The know-how was very completely different when he started, when cable was simply taking maintain, and streaming was a distant innovation. “However essentially, it’s the identical factor. We’re storytellers,” he says.
Antonio says that he enjoys the dialogue about film music and the way it underpins the feelings of the film. It’s a composer’s job to determine the way to evoke these feelings.
Dionne Warwick sings Merry Mission from the movie:
Writing For Cartoons: Glisten And The Merry Mission
All in all, writing music for cartoons is a reasonably good gig. “I believe we had fun,” says Meiro.
“It’d be fairly onerous to not have a superb time,” Antonio agrees. “The magic will get into it.”
As anticipated for a family-friendly vacation film, the temper is upbeat, and a 90-minute mission offers the rating an opportunity to shine. “There are moments the place there are there or 4 minutes the place the music carries it,” Antonio says.
After engaged on the main themes for the movie collectively, the pair divide up the completely different sections to work on individually. It’s a course of that permits for an environment friendly work by, whereas nonetheless guaranteeing a cohesive method.
“We develop them independently,” Antonio explains, “a cohesive rating from two minds.”
He started working with Meiro years in the past on reside motion characteristic movies, and the TV sequence Glowbies. “It was a pleasure to work with a person who had a lot expertise,” he says.
The composing duo had beforehand labored largely on shorter animated tasks. Writing for animated movie gives completely different parameters than reside motion tales for adults. The feelings are broad, and infrequently change on a dime. “It’s an actual take a look at of your musical vocabulary,” Antonio notes.
Stamm provides that feelings must be writ massive for youthful audiences. “Nothing is implied, all the things is acknowledged,” he says. Mixed with a fast tempo of motion, it gives an fascinating problem for a composer. “You’re turning the Titanic on a dime,” he says. “There’s a variety of notes per second.”
“It was a breath of recent air,” says Antonio of the chance.
Glisten…
The movie is distributed by Samuel Goldwyn Movies, and can be accessible on Apple TV on December 1 [HERE]. Together with its launch on Apple, you possibly can pre-order the video [HERE].
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Anya Wassenberg is a Toronto Metropolis Editor at Ludwig Van. She is an skilled freelance author, blogger and writing teacher.
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