[ad_1]
Robert Kretzschmar’s debut album ‘Homecoming’ is intimate, tender, and completely unassuming: A delicate large of enchanting, melancholic alt-folk sound that stirs the ears and soul.
Stream: ‘Homecoming’ – Robert Kretzschmar
Tright here’s an authenticity about Robert Kretzschmar’s debut album that speaks to the uncooked humanity at its core.
A mixture of observations and reflections, inside reckonings and rhetorical questions posed at oneself and the world at giant, Homecoming is intimate, tender, and completely unassuming: A delicate large of enchanting, melancholic alt-folk sound that stirs the ears and soul. Lengthy a member of different bands and ensembles, Kretzschmar’s – a Berlin-based singer/songwriter with a coronary heart of gold – emerges with a delicate, seductive power that compels us to place down no matter it’s we’re in any other case doing – to pay attention in, and pay attention shut.
I went dwelling to see my mates
Again to the city
Again to my previous cat hair phobia
And I wasn′t positive if there could be
any cats left to eat the grass
In any other case I must minimize the garden
Clear the barn and unleash the yarn
I went dwelling and I needed to notice
Issues can’t be tidied up within the aftermath
Choices had been made with out you, and it’s not all the time about you
However should you take a step in the direction of this you’ll achieve the kindness
Atwood Journal is proud to be premiering Homecoming, Robert Kretzschmar’s enchanting, hypnotizing debut album (out October 13, 2023 through Einfach Jason / Wagram Tales). Not solely is that this a real “homecoming” for the German multi-instrumentalist, however it’s additionally a long-awaited comeuppance. Nicknamed “Berlin’s favorite drummer,” Kretzschmar was previously one-half of German indie pop duo It’s A Musical (with Ella Blixt), in addition to the drummer for a plethora of artists together with Anna Erhard, Kat Frankie, Masha Qrella, Das Paradies and Albertine Sarges (amongst others).
Homecoming is his first solo outing behind the mic, and one which formally introduces a burgeoning, lovely new folks artistry to the world.
“The album has been a coronary heart’s need for a very long time,” Kretzschmar’s tells Atwood Journal. “I performed drums in so many bands on the identical time and made theater music. In the course of the pandemic, I used to be banned from live shows and subsequently had much more time for my very own concepts. Then in 2022 I recorded the album inside a yr. I already had a group of lyrics. I wished to seize these recollections and feelings in a playful visible language. And I already had the soundtrack in thoughts. I wished to go away a variety of air within the music. And solely equip the songs with what they want. I didn’t orient myself in any respect on my speedy musical atmosphere and gave delivery to an actual Berlin magnificence.”
“The album is 100% me,” he asserts. “I wrote, recorded and produced every thing myself. My musical influences resonate in each music and every thing has a sure fundamental melancholy, heat and leisure.”
The title Homecoming, he says, speaks not solely to the music of the identical title, but in addition to an aching sense of return that comes from deep inside.
“The album title is a return in numerous methods: Processing and a contemporary begin after the pandemic. Again to my songwriting abilities. I used to be capable of finding myself with these songs and took a brand new place in a modified atmosphere. The music ‘Homecoming’ is a journey dwelling, a return to 1’s roots, however not with out penalties. It’s a music about rising up, rising out, transferring away, rising.”
But “Homecoming” is only one of this album’s ten lovely monitor. From the 80-second opener “I Want” – a brief, bittersweet, and immediately memorable second of fragility and nostalgia – to moody, transferring standouts like “Youngsters” and “House,” throughout to the groovy, entrancing closing moments “Consider” and “Techno,” Kretzschmar ensures a pleasant – if not moody – journey for all.
“I particularly just like the vibe and circulate of ‘Let It Be,’” he says on the subject of favorites. “It’s in all probability the light-heartedness after a profitable liberation. One other spotlight is ‘Techno,’ a transparent no to “standing in line” in Berlin’s nightlife.”
As for his lyrics? “I wish to be each protagonist and observer,” he provides. “Laconicity and the love for particular person phrases combine in my lyrics. It often results in a humorous, melancholic introspection. For instance, ‘Do Me a Favour’ is a heartbreaking report of a relationship the place the unstated need for an ending is palpable. It delves deep into the complexities of a gradual breakup, portray a vivid image of an emotional curler coaster. For instance ‘You’ll be able to swim, however you possibly can’t swim like a dolphin’ describes the self-overestimation of your reverse.”
In the end, Homecoming brings one thing heat – if not nostalgic and laced in a layer of subdued, brooding folks – for all to embrace.
Kretzschmar’s heat melancholia isn’t dour; it’s rejuvenating.
“I hope [listeners] take the time to discover the album’s very personal intimacy and tempo,” he shares. “I’m wanting ahead to making an attempt out the songs dwell on the first live shows. I additionally hope to play within the US. Be happy to ask me!” he winks. “I’m already within the temper for a second album and received’t wait that lengthy with new songs.”
Expertise the total document through our beneath stream, and peek inside Robert Kretzschmar’s Homecoming with Atwood Journal as he goes track-by-track by way of the music and lyrics of his debut album!
— —
:: join with Robert Kretzschmar right here ::
Stream: ‘Homecoming’ – Robert Kretzschmar
:: Inside Homecoming ::
— —
I Want
In 1 minute and 20 seconds, I sum up the ache of a relationship ending. Very gentle and nearly cheerful the music acts as if it has all the time been there and but is conscious of the current in each second.
Homecoming
A journey dwelling, a return to 1’s roots, however not with out penalties. “Homecoming” is about rising up, rising out, transferring away, rising.
Do Me A Favour
This one is a heartbreaking report of a relationship the place the unstated need for an ending is palpable. The standing synth pads and melodic traces are each hypnotic and haunting, including to the general sense of restlessness and need for change. “Generally we maintain on to one thing regardless that we all know it’s time to let go.“
Youngsters
Youngsters are simply the worst. At any time when I speak to them, I don’t get a phrase… A bitter grownup can’t recover from his personal incompetence and regression. Youngsters are nice!
House
The music is a deep dive right into a passionate encounter that takes place behind closed doorways. With “House” I explored the greatness of affection within the confines of a flat.
Threat of Falling
It’s a love music. With out remorse with out ifs and buts. A thank-you to a beautiful one that remains to be near me.
Let It Be
To appreciate that an individual shouldn’t be good for you and but not have the ability to get away from it. That generally takes a number of makes an attempt. However then comes the lightness that you could hear on this music.
St. Leonards
That is an ode to a spot on the south coast of England. I discovered some very nice individuals there.
Consider
It’s a political music. Concerning the intrusion of politics into on a regular basis conversations, one’s personal feeling in regards to the world and in regards to the exasperation one can really feel within the whirl of reports punchlines, frivolous blame and the painful failure of a seek for a little bit of untouched nature.
Techno
A transparent no to “standing in line” in Berlin’s nightlife. And nobody manages to influence me.
— —
:: join with Robert Kretzschmar right here ::
— — — —
Connect with Robert Kretzschmar on
Fb, Instagram
Uncover new music on Atwood Journal
© Noel Richter
:: Stream Robert Kretzschmar ::
[ad_2]