Home Indie Music MJ Lenderman: And the Wind (Reside and Unfastened!) (ANTI-) – assessment

MJ Lenderman: And the Wind (Reside and Unfastened!) (ANTI-) – assessment

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MJ Lenderman: And the Wind (Reside and Unfastened!) (ANTI-) – assessment

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MJ Lenderman

And the Wind (Reside and Unfastened!)

ANTI-

Nov 27, 2023
Net Unique

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Recorded at Chicago’s Lincoln Corridor and the Lodge Room in Los Angeles, MJ Lenderman’s newest is a uncommon factor—a stay album that’s truly definitely worth the pay attention. Largely drawing from 2021’s Ghost of Your Guitar and 2022’s wondrous breakthrough Boat Songs, Lenderman pulls collectively a band, together with Wednesday cohorts Xandy Chelmis on metal pedal and Ethan Baechtold on bass, that helps him reimagine his typically sparse, solitary songs as rocking rambles that groove and swagger in a approach typically thought-about unlawful within the realms of indie rock.

It’s a maximalist strategy to minimalist materials that actually, unusually, works. A complete dimension is added to favorites like “Somebody Get the Grill Out of the Rain,” which stays as tender as you’d hope however takes on a sepia-soaked ’70s rock side when dropped at life by that spidery metal pedal and grizzled guitar.

“Reside Jack” goes from a recorded whisper to a stay roar, whereas “Tastes Simply Like It Prices” alters its step to extra intently seize a picture-perfect Loopy Horse thrum. Even songs that stay comparatively trustworthy to their authentic takes, like “TLC Cagematch” shift somewhat of their focus, a contemporary coloration gel added to their side.

Latest single “Rudolph” vaults into full throttle pedal-stomping glory with out dropping its delicacy. On “Toontown,” Lenderman’s cracked croon is completely complemented by the clear ring of Wednesday bandleader Karly Hartzman because it rides into a real, tough explosion of sound earlier than circling again to sweetness.

Because it typically remembers the interpretation of Bob Dylan’s materials from album to stage within the late ’60s, it’s totally becoming that the album closes with a canopy of “Lengthy Black Veil,” a tune popularized by The Band, right here augmented by people outfit Styrofoam Winos in a distinct segment 2020’s tackle a Final Waltz all-star jam.

Indebted to Lenderman’s clear adoration of a really particular form of good ol’ rock ‘n’ roll, the perfect sort, one would possibly humbly provide, however anchored by his emotive, cautious songwriting, And the Wind (Reside and Unfastened!) just isn’t the on-stage retread of the acquainted we’ve come to count on from numerous, inconsiderate stay releases. It’s an enlargement of Lenderman’s expression, an natural outgrowing of concepts from imperfect however lovely seeds, come to lovely bloom. (www.mjlenderman.com)

Creator ranking: 8/10

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