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J.S. Bach’s St. Mark Ardour can be introduced in Toronto on March 29, Good Friday — solely the second time the work has been carried out in Canada. The efficiency takes place on the Metropolitan United Church downtown.
The music for Bach’s St. Mark Ardour, BMV 247, first carried out on March 23, 1731 (Good Friday), has been misplaced to time. The libretto, nevertheless, by German poet Christian Friedrich Henrici, survived in a e book of poetry, and offers the blueprint to reconstructing the work.
The Met Choir and Baroque Orchestra are joined by soloists tenor Philippe Gagné as Evangelist, and baritone Clarence Frazer as Jesus. Minister of Music Jonathan Oldengarm will direct, and play continuo. He may also give a pre-concert speak previous to the efficiency.
Reconstructing Markus Ardour
The model that can be carried out is a reconstruction by Dutch harpsichordist/pianist/composer Robert Koolstra. Revealed in 2017, it’s in all probability essentially the most well-known model of the St. Mark’s Ardour, and has been carried out within the Netherlands, Hong Kong, and North America.
Koolstra specialised in Early Music on the Guildhall Faculty of Music and Drama in London, and performs in Europe, Asia and North America because the continuo participant with a variety of completely different ensembles. He’s a solo recitalist on each the organ and the harpsichord.
The Proof
In 1754, Musikalische Bibliothek, a type of baroque music journal, revealed an obituary of J.S. Bach. Bach had died in 1750, and it’s speculated that the brief biography had been written by Carl Philip Emanuel, and Bach’s former pupil Johann Friedrich Agricola.
That obituary describes Bach’s 5 passions, of which solely St. Matthew and St. John have survived intact to the current day. It wasn’t till the nineteenth century that the concept of reconstruction started to take maintain. The complete libretto was preserved by Henrici, writing beneath the title Picander, in a e book of his collected works revealed in 1732. He additionally famous that his Ardour had been carried out at St. Thomas’ in Leipzig on Good Friday 1731, carried out by J.S. himself.
A second model of the libretto, apparently carried out on Good Friday on 1744, was found in St. Petersburg in 2009. It consists of two additional arias not current within the authentic model, whereas leaving out one of many chorales. It’s that model which Koolstra utilized in his personal reconstruction.
Parody
A parody in musicology is a bit the place the composer has revisited certainly one of his earlier works, incorporating and remodeling them into a brand new piece. It was a standard observe within the 18th century.
The funeral music of 1727 for the Electress Christiane Eberhardine von Brandenburg Bayreuth, referred to as Trauerode, (Laß, Fürstin, laß noch einen Strahl, BMV 198), corresponds to the construction of St. Mark’s Ardour, and an previous catalogue mentions the instrumentation, and opening refrain for an nameless model of the eagerness, which simply occurs to correspond to Picander’s opening textual content.
Different passages appear to cite from the 2 arias from Widerstehe doch der Sünde, BWV 54, and two choruses from the St Mark Ardour might have been reused within the later Christmas Oratorio.
From these and different clues present in his analysis, Koolstra got here up along with his reconstructed St. Mark’s. His full rating will be downloaded [HERE].
The Soloists
Canadian/Korean baritone Clarence Frazer is an alumnus of the Canadian Opera Firm’s Ensemble Studio, and Calgary Opera’s McPhee Artist Growth Program. This season, his schedule consists of performances with Vancouver Opera, Orchestre classique de Montréal, and Symphony Nova Scotia.
Philippe Gagné makes a speciality of Baroque repertoire, and has carried out with ensembles all around the world, together with Tafelmusik, Les Violons du Roy, Pacific Baroque Orchestra, Calgary Philharmonic Orchestra, Orchestre Métropolitain, Orchestre symphonique de Québec, Ensemble Caprice, and plenty of extra.
- Extra details about the live performance [HERE]. Discover in-person tickets [HERE] and livestream tickets [HERE].
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Anya Wassenberg is a Toronto Metropolis Editor at Ludwig Van. She is an skilled freelance author, blogger and writing teacher.
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