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Toronto Worldwide Ballet Theatre will current a singular model of Tchaikovsky’s basic holiday-themed ballet, The Nutcracker on December 23.
Inventive Director Tatiana Stepanova has reinterpreted the story of the Nutcracker to concentrate on Clara as a younger woman who embarks on a journey of creativeness and transformation along with her Nutcracker doll. Their adventures take them by a Fort of Sweets and a glowing winter wonderland. It’s a narrative in regards to the type of pure and harmless love that solely kids are able to.
The Firm
Inventive Director Tatiana Stepanova skilled on the Bolshoi Ballet Academy, and carried out as an award-winning prima ballerina with the Odessa State Ballet earlier than coming to Canada. As a instructor, she skilled many dancers, solely to see their frustration at a scarcity of alternative for efficiency.
She created Toronto Worldwide Ballet Theatre with a view of incorporating younger native expertise together with worldwide ballet artist in productions with authentic choreography. An consideration to design and manufacturing values provides to the expertise.
The corporate launched with a efficiency of the Nutcracker in 2008.
The Dancers
The manufacturing options rising stars Elisabeth Beyer and Cy Doherty, members of the American Ballet Theatre firm.
Elisabeth Beyer
Elisabeth joined ABT’s corps de ballet in the summertime of 2023 after a string of competitors wins. She’s gained the Natalia Makarova Award for Artistry on the Youth America Grand Prix (YAGP) New York Metropolis Finals, together with First Prize on the XIII Moscow Worldwide Ballet Competitors in Russia. In 2018, Elisabeth gained the Gold Medal on the YAGP New York Metropolis Finals and the Gold Medal on the USA Worldwide Ballet Competitors XI in Jackson, Mississippi.
Cy Doherty
Cy obtained the Rudolf Nureyev Award, the inaugural Marcelo Gomes Scholarship, and gained the Fred Lieberman Award on two events. He went on to carry out with Ballet West earlier than becoming a member of American Ballet Theatre’s predominant firm in 2021, and the corps de ballet in 2022. He created a task for a Lincoln Heart commissioned work, Annabelle Lopez Ochoa’s One For All, carried out on the 2022 BAAND Collectively Dance Competition.
Q&A With Inventive Director Tatiana Stepanova
I think about you carried out in The Nutcracker throughout your time on the Odessa State Ballet Firm. Did you develop a specific affinity for the function?
Sure, I had at all times cherished the Nutcracker. As a bit of woman, it was a type of ballets that introduced me lots of pleasure. Performing it was additional particular for me, because it gave me that feeling of my childhood. I felt like I used to be dancing in a fairytale, and in some ways, it was one. Now, I’m on the opposite aspect of the stage, and it brings me pleasure to place this fairytale collectively.
What led you to think about reinterpreting the story?
There are numerous variations of the Nutcracker carried out around the globe. All of them have completely different interpretations of the music. The story we carry out is identical because the one I carried out in Ukraine. I wished to deliver one thing completely different to the stage in Toronto, and I felt that this story is one that everybody may connect with and perceive. It follows a younger Clara, who loves her Nutcracker Doll, and he or she imagines this glorious journey with the Nutcracker, who then turns right into a prince. It’s a fairytale that kids and adults can join with. It’s about love, freedom, and happiness.
I wished to deliver this story to audiences right here in Toronto, and I hope to encourage the following technology of dancers.
In reinterpreting the story, you clearly create completely different roles for the dancers. How does that have an effect on the choreography? Did it free you to interpret the music in a special method?
Every function and dance in our present has a objective. Everyone seems to be there for a cause, they usually assist transfer the story ahead. The music works with this story completely, and watching the present, you’ll by no means know there’s a completely different model on the market.
How did you choose the dancers for this manufacturing? Is there a specific high quality you regarded for?
We have now many wonderful dancers in Toronto, and for our ballet, it’s important for dancers to have classical ballet coaching. Often, as quickly as I see somebody audition, I can already inform what function they’ll play.
For the principal dancers, I at all times search for dancers who can present audiences one other stage of dance. I wish to deliver these dancers from worldwide firms, as they at all times deliver one thing new and recent. These artists function a supply of inspiration for our younger dancers, and I hope they may even deliver inspiration and pleasure to our viewers.
This 12 months, I’m excited to have dancers from the American Ballet Theatre, Elisabeth Beyer and Cy Doherty. These two artists are the following technology of stars on the earth of Ballet. Elisabeth has gained all the most important youth competitions around the globe, she has been one of the sought-after younger dancers; and Cy is a strong and dynamic performer, and his presence calls for consideration on stage. I can not anticipate the lights to activate and for the viewers to see them on stage.
What can audiences count on from the manufacturing?
This manufacturing stays conventional in its design, promising a classical ballet expertise crammed with magic and sweetness. The visitor stars this 12 months are a number of the world’s most enjoyable younger dancers, and they’re going to deliver an vitality and emotion that may contact individuals. This ballet is designed for all, with the intention of reaching into their hearts and providing a heartwarming starting to the vacation season.
I feel the Nutcracker is the right solution to begin your holidays, and we’re fortunate to be performing this 12 months on Saturday, December 23, proper earlier than the winter break. I hope individuals depart the present feeling blissful, heat, and impressed.
- Tickets for the 2 performances on December 23 can be found [HERE].
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Anya Wassenberg is a Toronto Metropolis Editor at Ludwig Van. She is an skilled freelance author, blogger and writing teacher.
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