Christian Parker describes his new single, ‘Without end Man’, because the cousin to ‘Nowhere Man’, by The Beatles. Out now by means of Subcat Data, ‘Without end Man’ is accompanied by an extremely eerie music video directed by Morgan Elliott.
Again within the Sixties, The Beatles launched their single, ‘Nowhere Man’, a track about somebody with no ambition, who drifted by means of life, content material with their lot, and never desirous to broaden their horizons in any means, form, or type. This Nowhere Man continues to be very a lot round as we speak, with many individuals simply going about their lives, residing daily with out goal. Christian Parker expands on this concept in his new single, ‘Without end Man’ – however relatively than the titular man being with out ambition, he as an alternative is so hooked up to his worldly possessions that he loses sight of the larger image; he’s just like the miser Ebenezer Scrooge, accumulating wealth and dropping sight of the individuals who love him.
Parker makes no pretension as to his inspirations for ‘Without end Man’. It’s The Beatles all the best way. He was impressed to jot down the track after watching Peter Jackson’s unbelievable documentary, ‘Get Again’, which coated the making of The Beatles’ 1970 album, ‘Let It Be’. The observe maintains related chord progressions to ‘Nowhere Man’, and Parker used an Epiphone On line casino guitar, with P-90 pickups, with the intention to additional emphasise the Beatles-esque sound. He additionally used a classic 1965 Hofner bass guitar, to emulate Paul McCartney’s fashion. Moreover, he captured the vocal fashion of the Beatles with a three-part triad refrain.
‘Without end Man’ is immediately catchy and the listener shall be compelled to sing together with the refrain, similar to any Beatles observe. The intense message received’t be misplaced on anybody both, and it serves as a cautionary story about how there’s a couple of option to get misplaced in life.
The music video for ‘Without end Man’, which could be seen right here, was directed by Morgan Elliott, and takes us again in time with photographs of Parker’s life, as in the event that they’re in an album. Eerily a few of them come to life: photographs of Christian taking part in guitar, mop prime haircut and all, singing alongside to the brand new track, different scenes present him on stage together with his bandmates, leaning out of the window of a barn, or surrounded by household. Interspersed between the “shifting photos” are clips of Parker performing now, inflicting us to do not forget that though the issues of this world might fade away, good music by no means will.