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Trophy Eyes, ‘Suicide and Sunshine’ | The Album Story

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Trophy Eyes, ‘Suicide and Sunshine’ | The Album Story

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Trophy Eyes frontman John Floreani talks us via the band’s newest album ‘Suicide and Sunshine’, from writing lyrics to creating the sound, selecting the paintings and the title.

Plus, we’ve teamed up with the band to create this unique t-shirt design, obtainable for supply worldwide and solely from Rock Sound.

Learn Trophy Eyes, ‘Suicide and Sunshine’ | The Album Story beneath:

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TEXT ONLY VERSION BELOW:

While you boil it down, every thing in life exists alongside a collection of spectrums.

Whether or not or not it’s between darkness and light-weight or magnificence and tragedy, every second we expertise sits on a scale between two extremes. Every heartbreak, celebration, and epiphany kinds a tiny dot in your timeline, and when all of these ashes of sunshine mix – they make up a lifetime.

It’s an enormous idea to delve into, however when Trophy Eyes set to work exploring these concepts on their fourth album ‘Suicide and Sunshine’ – they have been getting ready for a poignant ultimate bow. Confronted with a confronting interval of inward reflection because the world spiralled into lockdown in 2020, frontman John Floreani and his bandmates believed it was throughout.

Channelling every thing into one final document, alongside the way in which Trophy Eyes rediscovered the center of their band. A collection of snapshots that seize the entire spectrum of Floreani’s life in stark element, ‘Suicide and Sunshine’ is a reminder of the fleetingness of our time on earth, and the surprise that we even get to be right here within the first place.

As he lets the broader world into probably the most private document of his profession, Floreani guides us via the method of creating the album that Trophy Eyes believed can be their final, and the way its creation breathed new life into his band.

THE SOUND

A band who’ve repeatedly challenged themselves to push the boundaries of hardcore on every new launch, album 4 isn’t any exception to the Trophy Eyes rule. With three albums spent pushing style classifications to at least one facet in pursuit of one thing really genuine, ‘Suicide and Sunshine’ may be their most important thus far.

“Each time you go in, should you’re not making an attempt to write down your greatest document, there’s actually no level being in there. Like fighters, or swimmers, or athletes, should you don’t suppose you possibly can win, what are you doing? It’s not a profitable state of affairs for me, however I used to be there to write down my greatest music. The concept was to get the entire Trophy Eyes sound right into a palpable factor.”

Listening to every thing from the swirling synths on ‘Sydney’ to the pop prospers on ‘My Inheritance’ and the darkish, anthemic choruses of ‘Kill’, inside ‘Suicide and Sunshine’ you possibly can hear each step of Trophy Eyes’ journey to date. An excellent amalgamation of sounds, scenes, and inspirations flecked with unconventional moments, it’s a definite marker of the band’s character of which Floreani was just lately served a stark reminder.

“I did some writing in LA after ‘The American Dream’, and it did harm. It’s groups of individuals assembly and pumping out shit. It’s simply bullshit. No offence to the blokes which are doing it, but it surely’s not us. I used to be working with some critical folks, and so they have been like, ‘Ain’t no disgrace in maintaining it the identical’. I grew to become obsessive about writing the proper music, and it began getting in the way in which of me writing. I used to be utilizing that as a launchpad to make music, and it misplaced its character and that means. The whole lot that I did grew to become drained.”

“Writing with that weirdness in thoughts, that’s enjoyable. I benefit from the hell out of that, and that’s character. A number of what we have been doing [on this album] is simply expressing ourselves freely. There’s one thing liberating about that. I want everybody might have an opportunity to specific themselves so actually.”

THE COLLABORATORS

Disconnected from each other as a result of isolation of the pandemic, after deciding over a Zoom name that they have been embarking on their ultimate album, the 4 members of Trophy Eyes flew to Krabi, Thailand to start the method.

“There was this looming air of finality. We have been standing round, and nobody was speaking about it, however all of us knew the explanation we have been collectively. It’s like when somebody dies. We have been all being glad and pleasant, but it surely was for one another. We have been placing on a courageous face.”

“We acquired to Thailand, and I really feel like that feeling went away. We started working. We have been very centered on doing what we do. I went with 40 songs, and within the first few days we went via all of the demos and picked what the album was going to be.”

After finishing pre-production, the four-piece agreed that if this was to be their final document, they wished long-time producer Shane Edwards onboard. Heading to Bangkok to work with him and co-producer Fletcher Matthews – with no different exterior enter – they banded collectively to create crucial Trophy Eyes album in historical past.

“Shane understands the band, and he’s at all times accomplished these loopy issues to make the band do what he can hear in his head. A number of producers, writers, and engineers are so timid as a result of their identify is on it. They don’t wish to do something scary. Individuals go, ‘That’s not what a traditional music would do, so we most likely shouldn’t do this’. Fuck that, that’s not what we wish to do, and Shane is rarely going to try this.”

THE LYRICS

“It began with a photograph from the primary moon touchdown. It reveals the shuttle leaving the moon and making its means again to Earth. It’s acquired the floor of the moon, the folks within the shuttle, after which planet Earth. The whole lot in that picture is every thing that we all know, and each life that we all know occurred inside that picture – besides the photographer.”

“He’s the one particular person to ever reside and die not in that {photograph}. That’s a brand new model of loneliness. I stored coming again to that, and it was my wallpaper on my MacBook for a very long time. We’re on this little rock in the midst of nowhere, and it’s made up of all of those deep, romantic, tragic, and significant little blips of life. Finally, us being right here within the universe doesn’t imply something, but it surely means a lot to us. In a means, that’s lovely.”

As somebody whose inspiration comes from assembly folks and listening to their tales while on the highway, with the worldwide lockdown got here a brand new supply of inspiration for Floreani. Spending high quality time alone for the primary time since he his childhood, when it got here to placing down lyrics for ‘Suicide and Sunshine’ he needed to be taught so much about himself.

Documenting his notion of how people transfer via life, as informed via the lens of his personal experiences, every music on the album captures a unique side of the frontman’s journey. From ‘Blue Eyed Boy’ – a painful account of a buddy battling drug dependancy – to ‘Runaway Come Residence’, a monitor that explores Floreani’s at-times distant relationship along with his mom, every music brings with it a vibrant private story. Why then – in a world the place folks typically battle to maintain their non-public lives away from the plenty – was Floreani so eager to share such intimate particulars?

“It’s not so different folks will discover catharsis, to be sincere. It’s additionally not for me. This sounds type of wanky, but it surely’s my job to doc these moments and people issues that occur. I’ve to get it down the way it occurred in any other case these moments are lacking for eternity. It’s a self- appointed job.”

Tasking himself with capturing probably the most sincere interpretation of every occasion he wrote about, ‘Suicide and Sunshine’ is a deeply affecting pay attention proper via to its emotional nearer, ‘Epilogue’, written as a ultimate thanks to Trophy Eyes’ followers after a collective choice to finish their band.

“It begins from the primary days practising in our first drummers’ room, as early again as 2012. I by no means used to put on earplugs, and we performed so loud my ears nonetheless ring as a memento from one of the best years of my life. [The song] is the band’s journey, and we wished to write down that as an enormous thanks as a result of some folks have been there since our first two demos.”

“The music was actually a goodbye, and it’s fucking crushing. It’s unhappy, but it surely was needed. If you happen to’re going to inform the story, then it must be in there. You’ll be able to’t actually keep away from it, and I really feel like everyone deserves it. You’ll be able to’t simply flip it o as a result of there are individuals who discover what we’re doing vital, and so they deserve some respect.”

THE ARTWORK

An album that delves into how every particular person holds numerous reminiscences, ideas, and views that imply every thing to them and nothing inside the grand scheme of the universe, it is sensible that the album’s paintings options only one face – a rapper and artist from Western Sydney named Harry (aka BAYANG (tha Bushranger)).

“I noticed a photograph on Pinterest, and I used to be looking for the picture so I might purchase it. It had this maintain on me. The best way that the pinnacle turns, and it’s blurry, it appears like an unimportant second in somebody’s life. That’s what the entire album is about. It’s about insignificant flashes of sunshine which are deep and vital reminiscences for any individual else, and the way tragic, lovely, and romantic that’s.”

“I wished to recreate that picture, so I talked to my expensive buddy from Western Sydney, Tahmid Nurullah, and was like, ‘That is what I need’. I despatched him the write up, the music, and the reference image. We acquired collectively and shot the album cowl ourselves.”

THE TITLE

The phrase ‘Suicide and Sunshine’ comes from one of many album’s most morbidly sincere songs, ‘Sean’. A uncooked, confessional account of the day Floreani’s buddy ended his life, he writes that it was sunny when he heard of Sean’s passing, a easy contradiction which captures a message that has lengthy sat on the coronary heart of Trophy Eyes.

“It’s the entire glad / unhappy factor that goes all the way in which again to the early days, with main key, quick, glad music that’s finally singing about desirous to die. It’s Trophy Eyes’ factor, that’s what we’ve accomplished.”

“It’s about happiness and peril. Our brand is a palm tree with a noose. While you see the palm tree you suppose trip, vacation, coconuts, pina coladas, sandy seaside, however then the imagery of the noose brings a way of dread. It’s the polar opposites and every thing in between, and that’s the theme. I really feel like it doesn’t matter what I did, I’d at all times write about them. The spectrum of expertise and the way we expertise issues, I feel that’s simply fascinating.”

THE FUTURE

Closing on a heartfelt farewell to everybody that has been part of this for the final decade, should you would have requested Floreani what the long run held for Trophy Eyes initially of ‘Suicide and Sunshine’s creation, the reply would have been extraordinarily bleak. However now?

“There’s a totally different vitality, and we do really feel glad once more.”

“We’re not doing this to be the most important band on the planet or something like that. We simply wish to be collectively. We simply wish to write music. It’s a bit love story. This isn’t tried stardom, if this factor can simply run itself and pay for itself… that’s what we’re alleged to do. That’s why I’m right here on this planet. That’s the headspace now, and it’s very totally different from once we have been children.”

“This might pop off , but when it doesn’t, it doesn’t matter. So long as I’m there with my household and we’re writing music, speaking, laughing, and having an excellent time. I reside to make these guys giggle and smile. Coming downstairs once you’re staying within the studio, and the boys are there, they’ve acquired a espresso, and so they’ve simply had a bathe… The place the fuck else would I be? What else would I do? So long as this factor covers itself and this machine retains shifting, I’ll be there to write down the music.”

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