Tuesday, February 27, 2024

Atwood Journal’s Weekly Roundup: June 16, 2023


Each Friday, Atwood Journal’s workers share what they’ve been listening to that week – a track, an album, an artist – no matter’s been having an impression on them, within the second.
This week’s weekly roundup options music by Vallis Alps, Michael Baker, The Japanese Home, (G)I-DLE, Janelle Monáe, Sam Cullen, Myles Lloyd, PinkPantheress, PÆRISH, SMILEZ, Kovacs & Until Lindemann, & Joey Mac!
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 comply with WEEKLY ROUNDUP on Spotify

Atwood Magazine's Weekly Roundup

:: “You & I” – Vallis Alps ::

Sophie Severs, Boston, MA

Australian duo Vallis Alps learns to simply accept compromise of their latest monitor “You & I,” launched final Friday (June 8). As the newest minimize from their debut file, Cleave, (due August 24) Parissa Tosif and David Ansari set a precedent for accepting change and rolling with all of life’s punches.

With dreamy slides and thrumming fingerpicking creating an overtone of hazy distance, the duo start to explain the deep nostalgia they’ve for the way in which their friendship used to really feel. “Oh how our silence cracks the earth,” Tosif admits, spouting out the entire feelings the 2 are feeling concerning the present state of their relationship till she lastly exclaims, “We used to speak till it harm / And now I’m wondering what it’s value.”

Tosif shares: “It is a track that began after we had been struggling to perform as mates and as a band and wished to stop working collectively. It went by over 20 variations and couldn’t discover its place till our friendship was repaired. Our hope is that folks in all types of relationships – romantic, work partnerships, inventive collaborations, and the like can relate to this journey we’ve been on and the instruments we realized.”

By embracing the “messy center,” Vallis Alps created a monitor full to the brim with catharsis and emotional therapeutic. Completely fitted to the summer season months, “You & I” is a foolproof monitor for embracing each the swift change of the seasons and life itself.

:: Freak Michael Baker ::

Mitch Mosk, New York

Singer/songwriter Michael Baker has change into a private favourite over time due to the light pure heat of his indie people artistry. His music tends to be directly soothing and stirring, and for these in want for such a mesmerizing, magical expertise, look no additional than than Baker’s newest launch, Freak (out now by way of LOTTE LINDENBERG Information). An EP on digital and a full-length album on vinyl (assist your favourite indie artists!), Freak is an particularly intimate assortment that sees Baker on the top of his sport, spilling his soul in songs “about ADHD, despair, unhappiness or self-consciousness” – all of that are supposed to create an intimate environment by which we can’t solely really feel nearer to the artist himself, but in addition reconnect with these deeper components of ourselves.

The EP’s title monitor is an particularly enchanting second of pause – one which slowly grows from a delicate, seductive whisper right into a radiant, intoxicating reverie. “The track explores emotions of sentimentality in addition to feeling outcast or totally different,” Baker explains. “It has two components. It explores emotions of nostalgia, ‘what’s the sunshine from the glow, I’ve seen it as soon as and whispered there you’re,” and feeling outcast or totally different, “like a freak, who get’s too nervous.” However it’s additionally about discovering your groove once more, “I discover God on the phone” – this isn’t God in a spiritual sense, however merely discovering one thing larger than your self.”

“Freak” is simply one of many 4 (eight for those who pay attention on vinyl!) glistening and golden-hued indie people wonders awaiting those that step into Michael Baker’s world. Some of the prolific singer/songwriters I’ve had the pleasure to know, Baker is really a world unto himself.

:: ”Sunshine Child” – The Japanese Home ::

Julia Dzurillay, New Jersey

With The Japanese Home’s album simply days away, their 2023 singles have come again in rotation — particularly “Sunshine Child.” Soiled Hit is throughout this monitor, from The 1975’s George Daniel producing to Matty Healy as a featured vocalist (which completely compliments the track).

In fact, this monitor was predominately written and produced by Amber Bain, with “Sunshine Child” being her canine’s nickname.

“My ex and I alway used to put on the seashore collectively being sunshine infants,” she mentioned (by way of Mystic Sons). “The refrain is sort of a submission to the top of our relationship, however singing it in a optimistic mild. There’s a transience in each a part of a relationship, and within the circle of all the pieces it comes again round.”

:: “Queencard” – (G)I-DLE  ::

Danny Vagnoni, Philadelphia

On Might fifteenth, 2023, (G)I-DLE’s Yuqi sings “My boob and booty’s scorching,” a seismic occasion that rocks the muse of music and, for nerds, grammar. Queencard, actually romanized as kwinka (퀸카) is a Korean time period akin to ‘it lady,’ however whether or not or not “Queencard” endorses or mocks the thought is up for interpretation.

The monitor is, apart from its standout lyrics (“I’m twerking on the runway”) your pretty bog-standard ‘I’m so scorching’ dancefloor empowerment anthem, nevertheless it’s these splendidly over-the-top moments that make it so pleasant. The group’s high-confidence is comical – lyricist and group member Soyeon has proclaimed the monitor is meant as akin to (G)I-DLE strut their method by sultry verses, enormous drops, and magnetic cheerleader chants of “I’m a Queencard, I’m a- I’m a Queencard.” Buzzing minor synths evoke a Woman Gaga circa 2010-esque theatricality, and stellar pop-dance manufacturing courtesy of, once more, Soyeon assist rein in “Queencard’s” excesses sufficient that it doesn’t change into a parody of a parody. A stable comeback from (G)I-DLE, and an immensely pleasant pay attention.

:: The Age of Pleasure – Janelle Monáe ::

Josh Weiner, Washington DC

Janelle Monáe is superior – a place I first developed after discovering her early music within the early 2010s, then firmly established in my thoughts after seeing her carry out on the Home of Blues in Boston in 2013, and haven’t relinquished at any level over the following decade. Besides, her musical output is comparatively sparse– she’s solely launched 4 LPs up to now 13 years and simply went 5 years with no new album for the second straight time.

There’s just one actual option to react to this beautiful rare output, and that’s, every time new music Janelle Monáe does come out, to present it your undivided consideration! That’s simply what I did whereas driving on my bike yesterday– I had a reasonably lengthy option to journey throughout the Boston suburbs, and that gave me loads of time to make my method by The Age of Pleasure, her skinniest LP to this point (at 32 minutes, it’s lower than half so long as both of her first two albums that first made me an ardent fan of hers method again in my faculty days).

Packed inside that half-hour-ish, although, is loads extra of the lyrical and musical inventiveness that I’ve lengthy admired in her work, beginning with the lighthearted “Float” and carrying on by one other partaking 13 tracks. There’s much less alter ego-playing right here than there was in her previous albums– that once-prominent android persona of hers largely sits this one out– however there’s loads of dedication to what she and the press have outlined as an “Afrofuturistic soundscape,” that means a celebration of long-cherished Pan-African musical kinds in 2023 kind. That Afrofuturism positively made a robust first impression on me whereas I used to be out on two wheels yesterday; realizing Monáe, that impression is more likely to solely develop stronger as I proceed to present this album repeat listens.

:: “Perpetually” – Sam Cullen ::

Mitch Mosk, New York

I can’t assist however consider favorites like Bruce Springsteen and Bleachers once I hear Sam Cullen’s spirited new anthem. It could appear Cullen, a 22-year-old born and raised in Invercargill, New Zealand, is inadvertently (or deliberately!) taking over that particular torch as he comes into his personal as a singer/songwriter. His first track of 2023, “Perpetually” (independently launched Might 19) is a stunningly cinematic love track filled with ardour and surprise.

The sting of your lips
Was the time of my life
And your wild, wild coronary heart crashed into mine
At nighttime of the evening
You mentioned I don’t say a lot
Properly I haven’t drunk sufficient
I used to be biting my tongue
Considering that this may very well be ceaselessly (ceaselessly!)
Perhaps darling all I would like is you
‘Trigger the palm of your hand
matches good in mine so I gained’t let it go
This may very well be ceaselessly…

“‘Perpetually’ is a confession of affection – snapshotting the second in time when somebody realizes they’re head over heels, but in addition scared to confess it,” Cullen tells Atwood Journal. “I’ve been in a relationship for 4 years now so this positively performed into the creation of the track and lyrics.The sonic inspiration for ‘Perpetually’ got here from a couple of totally different locations however positively walked the Springsteen line with a driving backbeat and robust guitar riff. It feels actually nostalgic and is a type of songs that already feels acquainted which is precisely what we had been going for.”

“Perpetually” captures the sweat and sun-soaked warmth of a brand new love. It’s a track that leans into the potential for love eternal – one which dares us to dive headfirst into that cool evening’s embrace, and by no means look again.

::  ”Shadows” – Myles Lloyd ::

Joe Beer, Surrey, UK

Myles Lloyd opens up about his inner-demons that lurk amongst the “Shadows” in his new single. The Canadian R&B pop artist isn’t afraid to indicate his vulnerability in his music and the brand new monitor is demonstrative of simply that. Narrating the significance of embracing our flaws and understanding that we aren’t all excellent, “Shadows” is an sincere anthem of empowerment, sending the message that while all of us have our darker sides, it doesn’t imply we should always allow them to management us and with some laborious work and inner-strength, we will push them to the aspect in an effort to reside a cheerful and fulfilled life.

“Shadows” emits an ethereal vitality, with celestial melodies, and buttery vocals that soften collectively to create an all-encompassing, hypnotic sound. Coated in a shimmery, echoing gleam, much less is actually extra on the subject of this monitor. “Take me as I’m,” Lloyd chants, asking to be accepted for his imperfections and all.

:: “Angel” – PinkPantheress ::

Alex Killian, Spain

The Barbie Film has launched three singles off the movie’s album, and at this fee, the entire film can be stacked with bops. I’ve had PinkPantheress’s squeaky clear “Angel” on repeat this week. Clocking in at simply over 2 minutes, there’s loads to like on this single. It’s packed to the brim with catchy lyrics and crisp manufacturing. It throws a spin on basic 2000s pop and R&B components with some nation fiddle sprinkled in. The total two minutes sound like one thing straight out of your favourite teen rom-com with a Gen-Z edge and dreamy vocals from PinkPantheress. The most effective half about “Angel” is the truth that it seems like a summer season bop simply as a lot because it offers true soundtrack vitality. Like, it’s really easy to image you and your crush in the course of a film montage to this track. It hits all of the factors of nostalgia whereas nonetheless feeling completely now, due to PinkPantheress. I’ll be bumping “Angel” up till the discharge of The Barbie Film subsequent month, and possibly nicely after.

:: “Daydreaming” – PÆRISH ::

Isabella Le, Backyard Grove, CA

In an age the place indie rock bands are a dime a dozen, and plenty of are just about indistinguishable, Parisian alt-rock four-piece PÆRISH fuses emo, pop punk, shoegaze, and grunge to curate a sound and id solely their very own.

The second single off the band’s forthcoming album, “DAYDREAMING” is a gritty, gauzy, grunge gem that proves each ethereal and edgy. Hovering guitar riffs and soiled bass strains drive the monitor, including an upbeat component to in any other case harsh and dense melodies. Accompanied by a minimalist, nonetheless gorgeous, music video, the band fuses their love of movie and cinematography with sound and musicianship. The lyrics are easy, however efficient, as PÆRISH sing of residing in a daydream, unable to inform actual from fantasy; vocalist-guitarist Matthias Courtroom sings, “The place pavement shines on a regular basis / I see stars each time… Fantasize on a regular basis / Can’t resolve each time.”

With the assistance of Grammy nominated producer and songwriter Will Yip, the band are set to launch their third file, “You’re in Each Desires (and also you’re scared)” on August 18th. PÆRISH’s music is the right soundtrack to our daydreams, permitting us to detach from actuality and let go of management, inviting us to discover the internal world of our minds.

::  Ur in My World – SMILEZ ::

Joe Beer, Surrey, UK

SMILEZ is aware of how you can brighten a room together with his radiant yellow aura. Ensuring everybody will get a dose of his optimistic angle, his new album, Ur in My World, is all about discovering power within the face of adversity and finally turning lemons into lemonade. The 15-track launch follows the Los Angeles primarily based artist on his journey up to now, uncovering tales starting from psychological well being points, shedding a cherished one, residing the celebration way of life and navigating the hurdles of life. The album additionally options The Stroke’s “Sometime”, through which we see SMILEZ take the indie/alt monitor and switch it into a mix of hip-hop and punk rock.

With a singular presence, type and genre-colliding sound, SMILEZ is actually an artist who calls for to be totally different. Breaking the mould and rebelling towards conformity, SMILEZ is a breath of contemporary air. The artist shares, “I wish to put my DNA into all the pieces I do,” and that’s actually true in his fascinating new album.

::  “Little one of Sin” – Kovacs & Until Lindemann ::

Josh Weiner, Washington DC

Working on an interview with Duo Jatekok final yr – a pair that carried out piano-ized variations of Rammstein’s music all through the latter’s latest stadium tour– left me motivated to change into higher acquainted with the work on the famed German metallic band helmed by Tlil Lindemann. In that spirit, I’ve lent an open ear to his latest collaboration with Dutch singer Sharon Kovacs entitled “Little one of Sin.”

Raging guitars and drums are absent from this monitor, however the darkish and morose lyrical themes that characterize Rammstein’s catalog as nicely do make their method onto right here. On this occasion, each singers element of their mutual second language (English) the ache they really feel from misplaced companionship. “Whenever you had been 9 years outdated, we terrorized these streets from nightfall until daybreak,” Lindemann displays in his signature growl. “However once I turned sixteen, my soiled arms would bleed from banging at your door.” The result of that downward spiral is finally that, “I’m now not a toddler of affection. I’m a toddler of sin.”

Each artists impress with their vocal and narrative capabilities, and Lindemann wins further factors for (as I noticed him do with Duo Jatekok) his demonstrated willingness to department out to different genres moreover metallic music and collaborate with European artists past the boundaries of his native Germany. The 2 of them could also be kids of sin, however the monitor they’ve cooked up collectively is a toddler of sheer musical ingenuity.

:: “Ferdinand” – Joey Mac ::

Mitch Mosk, New York

Something about “Ferdinand” brings me again to my early teenagers – to a time earlier than Spotify, earlier than the streaming takeover, once I would flip by SoundCloud listening to indie singer/songwriters’ latest uploads. Many of the songs had been fairly uncooked – flippantly produced, an acoustic guitar and a voice, with perhaps a bit of sunshine percussion and a few background vocals. It was a enjoyable time of innocence, group, and connection – and so I can’t assist however really feel an instantaneous connection to Sheffield-based singer/songwriter Joey Mac.

The tip was coming, perhaps we knew
However my coronary heart lifted the day she gave me you
And as our love withered, your leaves grew,
Ferdinand
You look so frail along with your stalks all lean,
And that i’m afraid to harm you trigger my thumbs aren’t inexperienced
However I used to be affected person and I used to be eager,
Ferdinand
Ferdinand, I hope my love is sufficient
Ferdinand

Independently launched June 9, “Ferdinand” is a superbly tender and susceptible people track full of heat and coronary heart. “Ferdinand was the identify I gave to a chilli plant gifted to me by an ex-girlfriend,” Mac explains. “I wrote the track in the summertime of 2020 as I mirrored on a relationship that ended the yr earlier than. And right here was this chilli plant, nonetheless thriving lengthy after the connection ended and it was nonetheless this beautiful, residing image of my previous. (It tragically died final yr, RIP Ferdinand.)”

She continues, “Usually after we are heartbroken, we’ve to show the thing of our affections right into a villain in an effort to transfer on. However relationships are hardly ever all dangerous, and I wished to create an area to honour one thing that I cherished even when it wasn’t proper for me. Songwriting is my method of taking painful experiences and reworking them into one thing stunning that may shared, and even celebrated. My hope is that Ferdinand will attain somebody who must be reminded that it’s okay to cherish the great whereas shifting onto one thing new.”

Lump in my throat, I don’t know what to say,
She’d be by my aspect if I might have my method
However it ain’t honest to disregard it or hold it at bay,
Ferdinand
Broke my very own coronary heart once I instructed the reality,
Because it mended you gave me fruit
However I might lose all my recollections however I’d nonetheless have you ever,
Ferdinand

Whether or not Ferdinand was only a plant or additionally a metaphor for the ultimate destruction for an ill-fated relationship, Mac’s track transforms over the course of 4 minutes into a mild, glistening reflection on love and loss, time’s passing, nostalgia and craving, acceptance and give up. “You’re the great I maintain onto,” she repeats towards the monitor’s finish in a bittersweet second of reflection, recognizing the methods through which we instill objects with that means and worth, and the way that impacts us when these objects depart our lives.

Certainly, that is a lot greater than a track a few plant.

The tip was coming, I feel we knew
However my coronary heart lifted the day she gave me you
And as our love withered, your leaves grew, Ferdinand
You’re the great I maintain on to,
Ferdinand

— — — —

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:: Weekly Roundup ::

Atwood Magazine's Weekly Roundup

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:: This Week’s Options ::

EDITOR’S PICKS 102: BIRTHH, THE MYSTERINES, ANGIE MCMAHON, KATELYN TARVER, KATHERINE LI, & THE JAPANESE HOUSE!




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